{"id":110,"date":"2026-08-18T12:10:51","date_gmt":"2026-08-18T12:10:51","guid":{"rendered":"https:\/\/m-a-k.net\/collections\/portraits\/"},"modified":"2026-08-22T22:27:38","modified_gmt":"2026-08-22T22:27:38","slug":"portraits","status":"publish","type":"page","link":"https:\/\/m-a-k.net\/fr\/collections\/portraits\/","title":{"rendered":"portraits"},"content":{"rendered":"<h1 align=\"center\">Portraits et cadres<\/h1>\n<h2 align=\"left\">Avant l'av\u00e8nement de la photographie, les portraits de famille \u00e9taient g\u00e9n\u00e9ralement command\u00e9s \u00e0 des artistes reconnus et l'huile sur toile \u00e9tait le m\u00e9dium privil\u00e9gi\u00e9. Bien que la plupart fussent r\u00e9alis\u00e9s grandeur nature, certains \u00e9taient produits sous forme miniature et inclus sur de petites bo\u00eetes ou des pendentifs. L'av\u00e8nement de la photographie au milieu du XIXe si\u00e8cle a rendu la production de portraits accessible \u00e0 un spectre beaucoup plus large de la soci\u00e9t\u00e9 au d\u00e9but du XXe si\u00e8cle. \u00c0 la fin des ann\u00e9es 1880, des studios de Paris et de Berlin produisaient de beaux portraits sur verre pour une client\u00e8le exigeante, mais c'\u00e9tait tr\u00e8s co\u00fbteux, de sorte que seuls les plus riches pouvaient se le permettre.<\/h2>\n<h1>Photographie de Fedor Artemeivitch Tereshchenko<\/h1>\n<p><strong><span style=\"font-size: 20px;\">Vers 1888, Fedor Tereshchenko a pos\u00e9 pour son portrait dans un tel studio parisien et a obtenu un grand n\u00e9gatif sur verre de 9\u2033 x 12\u2033 de son visage, qui a ensuite \u00e9t\u00e9 encadr\u00e9 dans un cadre en bois d'\u00e9b\u00e8ne dor\u00e9 \u00e0 la feuille pour \u00eatre expos\u00e9 dans le salon de sa r\u00e9sidence de Kiev. <\/span><\/strong><\/p>\n<p data-end=\"555\" data-start=\"541\"><span style=\"font-size: 24px;\"><strong data-end=\"555\" data-start=\"541\">Dimensions<\/strong><\/span><\/p>\n<ul data-end=\"701\" data-start=\"556\">\n<li data-end=\"607\" data-section-id=\"urkus\" data-start=\"556\"><span style=\"font-size: 20px;\">Encadr\u00e9 : environ 15 \u00d7 12 pouces (38 \u00d7 30 cm)<\/span><\/li>\n<li data-end=\"663\" data-section-id=\"1vcmjn7\" data-start=\"608\"><span style=\"font-size: 20px;\">Image sur verre : environ 8 \u00d7 10 pouces (20 \u00d7 25 cm)<\/span><\/li>\n<li data-end=\"701\" data-section-id=\"1otjmk5\" data-start=\"664\"><span style=\"font-size: 20px;\">Orientation : Portrait ovale vertical<\/span><\/li>\n<\/ul>\n<h2 data-end=\"722\" data-section-id=\"rmw5tv\" data-start=\"708\">Description<\/h2>\n<p data-end=\"944\" data-start=\"724\"><span style=\"font-size: 20px;\">Ce portrait remarquable repr\u00e9sente <strong data-end=\"812\" data-start=\"757\">Fiodor (F\u00e9dor) Artemievitch Terechtchenko (1832\u20131894)<\/strong>, l'un des principaux industriels du sucre ukrainiens et russes imp\u00e9riaux, philanthrope et patriarche de la famille Tereshchenko.<\/span><\/p>\n<p data-end=\"1367\" data-start=\"946\"><span style=\"font-size: 20px;\">Contrairement aux photographies sur papier conventionnelles, l'image est form\u00e9e <strong data-end=\"1046\" data-start=\"1005\">directement sur une plaque de verre transparente<\/strong>. L'examen montre que l'image reste translucide lorsqu'elle est \u00e9clair\u00e9e par l'arri\u00e8re, l'\u00e9mulsion photographique \u00e9tant port\u00e9e directement sur le verre. <img loading=\"lazy\" decoding=\"async\" class=\"wp-image-637 alignright\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-225x300.jpeg\" alt=\"\" width=\"254\" height=\"339\" srcset=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-225x300.jpeg 225w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-768x1024.jpeg 768w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-1152x1536.jpeg 1152w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-1536x2048.jpeg 1536w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 254px) 100vw, 254px\" \/>Vu de face, le portrait est d'une nettet\u00e9 exceptionnelle ; vu du verso, l'image devient l\u00e9g\u00e8rement diffuse, caract\u00e9<\/span><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-640 alignleft\" style=\"font-size: 20px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-249x300.jpeg\" alt=\"\" width=\"249\" height=\"300\" srcset=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-249x300.jpeg 249w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-851x1024.jpeg 851w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-768x924.jpeg 768w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-1277x1536.jpeg 1277w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-1702x2048.jpeg 1702w\" sizes=\"auto, (max-width: 249px) 100vw, 249px\" \/><span style=\"font-size: 20px;\">caract\u00e9ristique d'un proc\u00e9d\u00e9 photographique \u00e0 \u00e9mulsion sur verre.<\/span><\/p>\n<p data-end=\"1536\" data-start=\"1369\"><span style=\"font-size: 20px;\">Le portrait est toujours log\u00e9 dans son cadre d'origine en bois noirci (\u00e9bois\u00e9) orn\u00e9 de motifs floraux dor\u00e9s, command\u00e9 presque certainement en m\u00eame temps que la photographie.<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-635 aligncenter\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-225x300.jpeg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-225x300.jpeg 225w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-768x1024.jpeg 768w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-1152x1536.jpeg 1152w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-1536x2048.jpeg 1536w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/span><\/p>\n<p data-end=\"1536\" data-start=\"1369\">\u00a0<\/p>\n<h1 data-end=\"1536\" data-start=\"1369\">Miniature \u00e0 l'aquarelle de Nadehzda M-A-K<\/h1>\n<section class=\"mak-miniature-watercolor-positioned-20260822\" style=\"clear:both;margin-top:34px\">\n<div class=\"mak-hand-painted-text\" style=\"font-size:18px;line-height:1.6;margin-bottom:20px\">\n<p>Miniature peinte \u00e0 la main repr\u00e9sentant Nadejda Fiodorovna Tereshchenko par Otto Mylius Oskar Ulbrich. Il \u00e9tait un artiste peintre allemand, portraitiste, peintre sur porcelaine, peintre sur \u00e9mail, peintre miniaturiste et portraitiste, n\u00e9 le 2 septembre 1876 \u00e0 Lichte et mort le 23 avril 1943 \u00e0 Hanau. Il \u00e9tait connu comme un Miniaturmaler und Portraitist, c'est-\u00e0-dire peintre miniaturiste et portraitiste. Il \u00e9tait le fils de Wilhelm Ulbrich et est d\u00e9crit comme Porzellanplattenmaler, Kunstmaler und Portraitist (peintre sur plaque de porcelaine, artiste peintre et portraitiste). Les sources r\u00e9pertorient Otto Ulbrich parmi les peintres sur plaque de porcelaine notables de Thuringe. Vladimir Vladimirovitch Mouravieff-Apostol-Korobyine a command\u00e9 cette \u0153uvre comme cadeau de fian\u00e7ailles pour sa fianc\u00e9e en 1909.<\/p>\n<\/div>\n<div class=\"mak-hand-painted-images\" style=\"display:grid;grid-template-columns:repeat(2,minmax(0,1fr));gap:22px;align-items:start;margin:18px 0\">\n<figure style=\"margin:0;text-align:center\"><img decoding=\"async\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/boxes\/grannybox1.jpg\" style=\"max-width:100%;height:auto;width:auto;\" loading=\"lazy\"><\/figure>\n<figure style=\"margin:0;text-align:center\"><img decoding=\"async\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/boxes\/grannybox1sinature.jpg\" style=\"max-width:100%;height:auto;width:auto;\" loading=\"lazy\"><\/figure>\n<\/div>\n<style>@media(max-width:700px){.mak-boxes-hand-painted-copy-to-portraits-v2-20260822 .mak-hand-painted-images{grid-template-columns:1fr!important}} .mak-boxes-hand-painted-copy-to-portraits-v2-20260822 img{max-width:100%!important;height:auto!important;width:auto!important;display:block;margin:0 auto}<\/style>\n<\/section>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"height: 753px; width: 1197px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/boxes\/enamel_box_top.jpg\" width=\"2000\" height=\"1499\" align=\"left\" border=\"5\" hspace=\"7\" vspace=\"7\" \/><span style=\"font-size: 18px;\"><strong>I<\/strong><strong>En 1909, Nadejda Fedorovna Tereshtchenko a pos\u00e9 pour un portrait miniature \u00e0 Berlin. L'artiste \u00e9tait Otto Mylius Oskar Ulbrich<\/strong>. <\/span><span style=\"font-size: 18px;\"><strong>C'\u00e9tait un Allemand <strong data-end=\"213\" data-start=\"104\">Peintre d'art, portraitiste, peintre sur porcelaine, peintre sur \u00e9mail, peintre miniaturiste et portraitiste<\/strong>, n\u00e9 <strong data-end=\"246\" data-start=\"220\">2 sept. 1876 \u00e0 Lichte<\/strong> et est mort <strong data-end=\"281\" data-start=\"256\">23 avr. 1943 \u00e0 Hanau. Il a \u00e9t\u00e9 r\u00e9alis\u00e9 \u00e0 l'aquarelle, probablement sur de l'ivoire, et mont\u00e9 sous verre sur une bo\u00eete en \u00e9mail argent\u00e9 de style Faberg\u00e9. La bo\u00eete finie a \u00e9t\u00e9 offerte \u00e0 Nadejda par Vladimir Vladimirovitch Mouravieff-Apostol-Korobyine avant leur mariage.<\/strong><\/strong><\/span><\/p>\n<p><span style=\"font-size: 20px;\">\u00a0<\/span><\/p>\n<p>\u00a0<img loading=\"lazy\" decoding=\"async\" style=\"height: 299px; width: 388px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/boxes\/enamel_interior.jpg\" width=\"1999\" height=\"1499\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1>Photographie de Nadezhda M-A-K<\/h1>\n<section class=\"mak-framed-portrait-transfer-recovery-20260821\">\n<p><span style=\"font-size: 16px;\"><strong>Cadre photo ovale en \u00e9mail guilloch\u00e9. 7,6 cm de large sur 10,2 cm de haut. 45 grammes. Argent sterling. Style Faberg\u00e9. Vers 1905\u20131915. Fabrication probablement anglaise ou \u00e9ventuellement continentale. Fin \u00e9mail translucide bleu \u0153uf de robin sur fond guilloch\u00e9. Dos d'origine en velours avec chevalet et pieds boule.<\/strong><\/span>.\u00a0<strong>Contient une photographie de Nadejda Fedorovna Tereshtchenko prise en 1915 par le c\u00e9l\u00e8bre photographe portraitiste britannique <\/strong><a class=\"0\" href=\"\/fr\/familles\/keturahcollings\/\"><strong>Keturah Collings<\/strong><\/a><strong>. Cette photographie encadr\u00e9e est rest\u00e9e sur la table de chevet de Vladimir Mouravieff-Apostol-Korobyine de 1916 jusqu'\u00e0 sa mort en 1937.<\/strong>.<\/p>\n<p><img decoding=\"async\" style=\"height: 653px; width: 533px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/frames\/frameoval.jpg\" border=\"0\" hspace=\"0\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <img decoding=\"async\" style=\"height: 315px; width: 620px; border: 0px solid;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/frames\/frameseal.jpg\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"\" style=\"height: 1151px; width: 557px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/frames\/chatgpt_image_jul_8_2026_03_23_35_pm.png\" width=\"1024\" height=\"1536\" border=\"0\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" style=\"height: 318px; width: 332px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/frames\/img_5517.jpg\" width=\"2017\" height=\"1512\" border=\"0\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" style=\"height: 320px; width: 408px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/frames\/img_5518.jpg\" width=\"2013\" height=\"1510\" border=\"0\" \/>\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 <\/p>\n<\/section>","protected":false},"excerpt":{"rendered":"<p>Portraits and Frames Before the advent of photography, family portraits were usually commissioned by well known artists and oil on canvas was the preferred medium. While most were made lifesize some were produced in miniaturized form and included on small boxes or pendants. The advent of photography in the mid-1800s made portrait production available to [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":17,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-110","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/m-a-k.net\/fr\/wp-json\/wp\/v2\/pages\/110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/m-a-k.net\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/m-a-k.net\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/m-a-k.net\/fr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/m-a-k.net\/fr\/wp-json\/wp\/v2\/comments?post=110"}],"version-history":[{"count":8,"href":"https:\/\/m-a-k.net\/fr\/wp-json\/wp\/v2\/pages\/110\/revisions"}],"predecessor-version":[{"id":655,"href":"https:\/\/m-a-k.net\/fr\/wp-json\/wp\/v2\/pages\/110\/revisions\/655"}],"up":[{"embeddable":true,"href":"https:\/\/m-a-k.net\/fr\/wp-json\/wp\/v2\/pages\/17"}],"wp:attachment":[{"href":"https:\/\/m-a-k.net\/fr\/wp-json\/wp\/v2\/media?parent=110"}],"curies":[{"name":"Bien jou\u00e9","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}