{"id":110,"date":"2026-08-18T12:10:51","date_gmt":"2026-08-18T12:10:51","guid":{"rendered":"https:\/\/m-a-k.net\/collections\/portraits\/"},"modified":"2026-08-22T22:27:38","modified_gmt":"2026-08-22T22:27:38","slug":"portraits","status":"publish","type":"page","link":"https:\/\/m-a-k.net\/en\/collections\/portraits\/","title":{"rendered":"portraits"},"content":{"rendered":"<h1 align=\"center\">Portraits and Frames<\/h1>\n<h2 align=\"left\">Before the advent of photography, family portraits were usually commissioned by well known artists and oil on canvas was the preferred medium. While most were made lifesize some were produced in miniaturized form and included on small boxes or pendants. The advent of photography in the mid-1800s made portrait production available to a far wider spectrum of society by the start of the 20th century. In the late 1880s studios in Paris and Berlin produced fine portraits on glass for discerning customers but it was very costly so only the very rich could afford such things.<\/h2>\n<h1>Photograph of Fedor Artemeivitch Tereshchenko<\/h1>\n<p><strong><span style=\"font-size: 20px;\">Around 1888 Fedor Tereshchenko sat for his portrait in one such Parisian studio and obtained a large 9&#8243; x 12&#8243; size reverse negative on glass image of his face which was then framed in an ebony wood with gold guilt frame to be displayed in the salon of his Kiev residence. <\/span><\/strong><\/p>\n<p data-end=\"555\" data-start=\"541\"><span style=\"font-size: 24px;\"><strong data-end=\"555\" data-start=\"541\">Dimensions<\/strong><\/span><\/p>\n<ul data-end=\"701\" data-start=\"556\">\n<li data-end=\"607\" data-section-id=\"urkus\" data-start=\"556\"><span style=\"font-size: 20px;\">Framed: approximately 15 \u00d7 12 inches (38 \u00d7 30 cm)<\/span><\/li>\n<li data-end=\"663\" data-section-id=\"1vcmjn7\" data-start=\"608\"><span style=\"font-size: 20px;\">Glass image: approximately 8 \u00d7 10 inches (20 \u00d7 25 cm)<\/span><\/li>\n<li data-end=\"701\" data-section-id=\"1otjmk5\" data-start=\"664\"><span style=\"font-size: 20px;\">Orientation: Vertical oval portrait<\/span><\/li>\n<\/ul>\n<h2 data-end=\"722\" data-section-id=\"rmw5tv\" data-start=\"708\">Description<\/h2>\n<p data-end=\"944\" data-start=\"724\"><span style=\"font-size: 20px;\">This remarkable portrait depicts <strong data-end=\"812\" data-start=\"757\">Fyodor (Fedor) Artemyevich Tereshchenko (1832\u20131894)<\/strong>, one of the leading Ukrainian and Imperial Russian sugar industrialists, philanthropists, and patriarch of the Tereshchenko family.<\/span><\/p>\n<p data-end=\"1367\" data-start=\"946\"><span style=\"font-size: 20px;\">Unlike conventional paper photographs, the image is formed <strong data-end=\"1046\" data-start=\"1005\">directly on a transparent glass plate<\/strong>. Examination shows the image remains translucent when illuminated from behind, with the photographic emulsion carried directly on the glass. <img loading=\"lazy\" decoding=\"async\" class=\" wp-image-637 alignright\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-225x300.jpeg\" alt=\"\" width=\"254\" height=\"339\" srcset=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-225x300.jpeg 225w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-768x1024.jpeg 768w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-1152x1536.jpeg 1152w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-1536x2048.jpeg 1536w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshcchenkoportraitfront-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 254px) 100vw, 254px\" \/>Viewed from the front the portrait is exceptionally sharp; viewed from the reverse the image becomes slightly diffuse, chara<\/span><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-640 alignleft\" style=\"font-size: 20px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-249x300.jpeg\" alt=\"\" width=\"249\" height=\"300\" srcset=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-249x300.jpeg 249w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-851x1024.jpeg 851w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-768x924.jpeg 768w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-1277x1536.jpeg 1277w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitback-1-1702x2048.jpeg 1702w\" sizes=\"auto, (max-width: 249px) 100vw, 249px\" \/><span style=\"font-size: 20px;\">cteristic of an emulsion-on-glass photographic process.<\/span><\/p>\n<p data-end=\"1536\" data-start=\"1369\"><span style=\"font-size: 20px;\">The portrait remains housed in its original black ebonized wood frame with gilt floral ornamentation, almost certainly commissioned at the same time as the photograph.<img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-635 aligncenter\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-225x300.jpeg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-225x300.jpeg 225w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-768x1024.jpeg 768w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-1152x1536.jpeg 1152w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-1536x2048.jpeg 1536w, https:\/\/m-a-k.net\/wp-content\/uploads\/2026\/08\/fatereshchenkoportraitframe-scaled.jpeg 1920w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/span><\/p>\n<p data-end=\"1536\" data-start=\"1369\">\u00a0<\/p>\n<h1 data-end=\"1536\" data-start=\"1369\">Miniature watercolor of Nadehzda M-A-K<\/h1>\n<section class=\"mak-miniature-watercolor-positioned-20260822\" style=\"clear:both;margin-top:34px\">\n<div class=\"mak-hand-painted-text\" style=\"font-size:18px;line-height:1.6;margin-bottom:20px\">\n<p>Hand painted miniature portrait of Nadehzda Fedorovna Tereshchenko by Otto Mylius Oskar Ulbrich. He was a German Kunstmaler, portraitist, porcelain-plate painter, enamel painter, miniature painter, and portrait painter, born 2 Sept. 1876 in Lichte and died 23 Apr. 1943 in Hanau. He was known as a Miniaturmaler und Portraitist\u2014a miniature painter and portraitist. He was the son of Wilhelm Ulbrich and is describe as a Porzellanplattenmaler, Kunstmaler und Portraitist. Sources list Otto Ulbrich among notable Th\u00fcringen porcelain-plate painters. Vladimir Vladimirovitch Mouravieff-Apostol-Korobyine commissioned the piece as an engagement present to his betrothed in 1909.<\/p>\n<\/div>\n<div class=\"mak-hand-painted-images\" style=\"display:grid;grid-template-columns:repeat(2,minmax(0,1fr));gap:22px;align-items:start;margin:18px 0\">\n<figure style=\"margin:0;text-align:center\"><img decoding=\"async\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/boxes\/grannybox1.jpg\" style=\"max-width:100%;height:auto;width:auto;\" loading=\"lazy\"><\/figure>\n<figure style=\"margin:0;text-align:center\"><img decoding=\"async\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/boxes\/grannybox1sinature.jpg\" style=\"max-width:100%;height:auto;width:auto;\" loading=\"lazy\"><\/figure>\n<\/div>\n<style>@media(max-width:700px){.mak-boxes-hand-painted-copy-to-portraits-v2-20260822 .mak-hand-painted-images{grid-template-columns:1fr!important}} .mak-boxes-hand-painted-copy-to-portraits-v2-20260822 img{max-width:100%!important;height:auto!important;width:auto!important;display:block;margin:0 auto}<\/style>\n<\/section>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"height: 753px; width: 1197px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/boxes\/enamel_box_top.jpg\" width=\"2000\" height=\"1499\" align=\"left\" border=\"5\" hspace=\"7\" vspace=\"7\" \/><span style=\"font-size: 18px;\"><strong>I<\/strong><strong>n 1909, Nadezhda Federovna Tereshchenko sat for a miniature portrait in Berlin. The artist was Otto Mylius Oskar Ulbrich<\/strong>. <\/span><span style=\"font-size: 18px;\"><strong>He was a German <strong data-end=\"213\" data-start=\"104\">Kunstmaler, portraitist, porcelain-plate painter, enamel painter, miniature painter, and portrait painter<\/strong>, born <strong data-end=\"246\" data-start=\"220\">2 Sept. 1876 in Lichte<\/strong> and died <strong data-end=\"281\" data-start=\"256\">23 Apr. 1943 in Hanau. It was done in watercolor probably on ivory and mounted under glass on a silver Faberg\u00e9 style enameled\u00a0box. The finished box was given to Nadezhda by Vladimir Vladimirovitch Mouravieff-Apostol-Korobyine prior to their marriage.<\/strong><\/strong><\/span><\/p>\n<p><span style=\"font-size: 20px;\">\u00a0<\/span><\/p>\n<p>\u00a0<img loading=\"lazy\" decoding=\"async\" style=\"height: 299px; width: 388px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/boxes\/enamel_interior.jpg\" width=\"1999\" height=\"1499\" \/><\/p>\n<p>&nbsp;<\/p>\n<h1>Photograph of Nadezhda M-A-K<\/h1>\n<section class=\"mak-framed-portrait-transfer-recovery-20260821\">\n<p><span style=\"font-size: 16px;\"><strong>Guilloch\u00e9 enamel oval photograph frame. 3&#8243; wide\u00a0x 4&#8243; high 45 grams Sterling silver. Faberg\u00e9 style. Circa 1905\u20131915. Probably English or possibly Continental manufacture. Fine translucent robin&#8217;s-egg-blue enamel over engine-turned ground. Original velvet easel back and ball feet<\/strong><\/span>.\u00a0<strong>Contains photograph of Nadehzda\u00a0Fedorovna Tereshchenko taken in 1915 by famed British portrait photographer <\/strong><a class=\"0\" href=\"\/families\/keturahcollings\/\"><strong>Keturah Collings<\/strong><\/a><strong>. This framed photograph remained\u00a0on Vladimir Mouravieff-Apostol-Korobyine&#8217;s\u00a0nightstand from 1916 until his death in 1937<\/strong>.<\/p>\n<p><img decoding=\"async\" style=\"height: 653px; width: 533px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/frames\/frameoval.jpg\" border=\"0\" hspace=\"0\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <img decoding=\"async\" style=\"height: 315px; width: 620px; border: 0px solid;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/frames\/frameseal.jpg\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" class=\"\" style=\"height: 1151px; width: 557px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/frames\/chatgpt_image_jul_8_2026_03_23_35_pm.png\" width=\"1024\" height=\"1536\" border=\"0\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" style=\"height: 318px; width: 332px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/frames\/img_5517.jpg\" width=\"2017\" height=\"1512\" border=\"0\" \/>\u00a0\u00a0\u00a0\u00a0\u00a0 <img loading=\"lazy\" decoding=\"async\" style=\"height: 320px; width: 408px;\" src=\"https:\/\/m-a-k.net\/wp-content\/uploads\/mak-archive\/images\/things\/frames\/img_5518.jpg\" width=\"2013\" height=\"1510\" border=\"0\" \/>\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 <\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Portraits and Frames Before the advent of photography, family portraits were usually commissioned by well known artists and oil on canvas was the preferred medium. While most were made lifesize some were produced in miniaturized form and included on small boxes or pendants. The advent of photography in the mid-1800s made portrait production available to [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":17,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-110","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/m-a-k.net\/en\/wp-json\/wp\/v2\/pages\/110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/m-a-k.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/m-a-k.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/m-a-k.net\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/m-a-k.net\/en\/wp-json\/wp\/v2\/comments?post=110"}],"version-history":[{"count":8,"href":"https:\/\/m-a-k.net\/en\/wp-json\/wp\/v2\/pages\/110\/revisions"}],"predecessor-version":[{"id":655,"href":"https:\/\/m-a-k.net\/en\/wp-json\/wp\/v2\/pages\/110\/revisions\/655"}],"up":[{"embeddable":true,"href":"https:\/\/m-a-k.net\/en\/wp-json\/wp\/v2\/pages\/17"}],"wp:attachment":[{"href":"https:\/\/m-a-k.net\/en\/wp-json\/wp\/v2\/media?parent=110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}